Analog Abduction 250D (Eastman Kodak 5207 65mm) is a daylight balanced emulsion which highlights beautiful skin-tones and a vivid color palette. Cut from Eastman 5207 65mm then spooled onto 120 backing paper for medium format cameras. The 120 format allows the ability to choose aspect ratios, allowing more depth-of-field, more color depth and tonalities rendering a more true-to-life capture.
The particular reels we have abducted are leftover from, “The Odyssey”.
Because these are taken from reels that have already been in production cameras , and then manually cut, slit and spooled (by three-fingered aliens nonetheless) , the emulsion may result in tiny emulsion flakes, tension marks, or scratches either on the emulsion or back. Please be aware these are not spooled by machine in a factory.
As seen in the examples, perforations are visible in the viewing area.
Analog Abduction 250D (Eastman Kodak 5207 65mm) is a daylight balanced emulsion which highlights beautiful skin-tones and a vivid color palette. Cut from Eastman 5207 65mm then spooled onto 120 backing paper for medium format cameras. The 120 format allows the ability to choose aspect ratios, allowing more depth-of-field, more color depth and tonalities rendering a more true-to-life capture.
The particular reels we have abducted are leftover from, “The Odyssey”.
Because these are taken from reels that have already been in production cameras , and then manually cut, slit and spooled (by three-fingered aliens nonetheless) , the emulsion may result in tiny emulsion flakes, tension marks, or scratches either on the emulsion or back. Please be aware these are not spooled by machine in a factory.
As seen in the examples, perforations are visible in the viewing area.