Analog Abduction 50D in 120 is a daylight balanced emulsion, with fine grain , producing rich and natural colors.
Cut from Eastman 5203 65mm then spooled onto 120 backing paper for medium format cameras. The 120 format allows the ability to choose aspect ratios, allowing more depth-of-field, more color depth and tonalities rendering a more true-to-life capture. Each roll uses recycled Kodak backing paper and contains a sticker tab for sealing when done shooting the roll that clearly indicates to be processed as ECN-2.
As a disclaimer, since these are respooled (cutting, slitting, and spooling onto backing paper completely in the dark) and handled by three-fingered aliens, it may result in tiny scratches and/or marks on the emulsion or back of the film. Please be aware these are not professionally spooled in a factory.
Perforations are visible in the viewing area.
Analog Abduction 50D in 120 is a daylight balanced emulsion, with fine grain , producing rich and natural colors.
Cut from Eastman 5203 65mm then spooled onto 120 backing paper for medium format cameras. The 120 format allows the ability to choose aspect ratios, allowing more depth-of-field, more color depth and tonalities rendering a more true-to-life capture. Each roll uses recycled Kodak backing paper and contains a sticker tab for sealing when done shooting the roll that clearly indicates to be processed as ECN-2.
As a disclaimer, since these are respooled (cutting, slitting, and spooling onto backing paper completely in the dark) and handled by three-fingered aliens, it may result in tiny scratches and/or marks on the emulsion or back of the film. Please be aware these are not professionally spooled in a factory.
Perforations are visible in the viewing area.