Analog Abduction 500T (Eastman Kodak 5219 65mm) in 120 is a tungsten balanced emulsion, highlighting grainy saturated magic. Cut from Eastman 5219 65mm then spooled onto 120 backing paper for medium format cameras. The 120 format allows the ability to choose aspect ratios, allowing more depth-of-field, more color depth and tonalities rendering a more true-to-life capture. To balance to daylight use an 85 filter and rate at 320 ISO.
The particular reels we have abducted are leftover from, “The Odyssey”.
Because these are taken from reels that have already been in production cameras , and then manually cut, slit and spooled (by three-fingered aliens nonetheless) , the emulsion may result in tiny emulsion flakes, tension marks, or scratches either on the emulsion or back. Please be aware these are not spooled by machine in a factory.
As seen in the examples, perforations are visible in the viewing area.
Analog Abduction 500T (Eastman Kodak 5219 65mm) in 120 is a tungsten balanced emulsion, highlighting grainy saturated magic. Cut from Eastman 5219 65mm then spooled onto 120 backing paper for medium format cameras. The 120 format allows the ability to choose aspect ratios, allowing more depth-of-field, more color depth and tonalities rendering a more true-to-life capture. To balance to daylight use an 85 filter and rate at 320 ISO.
The particular reels we have abducted are leftover from, “The Odyssey”.
Because these are taken from reels that have already been in production cameras , and then manually cut, slit and spooled (by three-fingered aliens nonetheless) , the emulsion may result in tiny emulsion flakes, tension marks, or scratches either on the emulsion or back. Please be aware these are not spooled by machine in a factory.
As seen in the examples, perforations are visible in the viewing area.